The Sandhills Consort draws its repertoire mainly from the Medieval,
Renaissance, and Baroque periods. These periods are rich sources for
chamber music due to the fact that music performance had not yet entered
the large concert hall. The technology for making instruments that could
fill a large hall with sound did not exist until the late Baroque period.
Performing traditions for music as late as the Baroque period were
either not noted at all or noted in a sketchy or ambiguous manner. Modern
musicological methods and research have been able to fill in many of
the blanks as far as tempi, instrumentation, and interpretation are
concerned. Instrument makers have been able recreate the old instruments
by the use of X-ray techniques and careful measurement of the old instruments
scattered throughout Europe in various museums. The limitations of these
old instruments have yielded some of the best clues as to performance
and instrumentation of the music.
Not too long ago it was widely held that music from the Medieval and
Renaissance periods was rather dull, primitive, and generally lacking
in musicological importance. Modern historical instrument makers and
musicologists have discovered a wealth of tome color, intricate rhythmic
patterns, and composition techniques that have dispelled most of the
modern misconceptions about music before Bach.
The players of early music were expected to improvise variations and
harmonies and to "double" on instruments much like the modern
jazz and folk musicians. The modern player of early music must be able
to do this as well as read the "old" note values on unbarred
clefs. Often musicological and linguistic research by the player is
needed to "realize" a piece of music. Keyboard and string
players very often have to research and learn tablature notation.
The important thing to remember about any of the music is that it was
widely played by professionals and amateurs alike and that it was listened
to and danced to by people through the centuries. To be able to read
and enjoy this music is the equivalent of being able to read and enjoy
Shakespeare, Dante, and Gothe.